Tuesday, April 15, 2014

Thrills in the Dark: Orphan Black in the Shadow of Alfred Hitchcock

ORPHAN BLACK: Orphan Black’s homage to both the traditional and contemporary facets of the film noir genre doesn’t stop at the presence of train station junctions and cynical anti-heroines in hats. In addition to trends in story, character, and setting, the series presents a wealth of stylistic cinematic clues that impart an important visual identification with the genre. You simply can’t have film noir without labyrinthine urban settings, chiaroscuro lighting, or the occasional Dutch angle, and Orphan Black has plenty to spare.

Wednesday, March 12, 2014

Is Not Life a Mirror Maze: Fragmented Identity in the Cinematography of Orphan Black

ORPHAN BLACK: The theme of identity is inherent to Orphan Black. In a show where a multitude of identical characters seem to materialize around every corner, it’s bound to be. As we follow our leading lady, Sarah Manning, through her journey of self-discovery, however, we also witness the confrontation and fracture of this identity. But, the plot isn’t the only thing that emphasizes this reflection and fragmentation of self that Sarah encounters; it’s also underlined quite clearly in the show’s use of mirrors and cinematography.
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